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Star Series

Conversations with Stephen Denning

What's the Best Way to Share Knowledge?
Steve Denning Asks AOK Members to Help Solve a Story-telling Problem

  Introduction

We welcome the return of Stephen Denning, former program manager, knowledge management at The World Bank, and well-known author of the The Springboard, which inspired thousands around the world to attempt storytelling as a tool to affect change in organizations.

Steve has the somewhat less -- but important to us -- distinction of being the "father of the AOK STAR Series Dialogues. A colleague of Steve's, Michel Pommier, was a member of AOK two years ago when he suggested to Steve that they test a Stephen Denningmanuscript they were working on using a Discussion Group managed by AOK. They did, and it launched what is now known as the STAR Series Dialogues. The success of Steve's first moderated discussion and the high profile of Steve Denning made it easy to recruit successive volunteer luminaries to these discussions.

Now, Steve has returned, ready to test a draft of a subsequent storytelling book -- The Squirrel: The Seven Highest Value Forms of Organizational Storytelling. In a way, it's a "how to" book to help people put into practice the power of storytelling they only heard about in Steve's first book.

Be one of Steve's collaborators, and you will soon be an accomplished storyteller using a tool that can transform complex thoughts into change agents at work and in your personal life. Enjoy!

  Steve Denning's problem

I have a knowledge sharing problem.

Jerry Ash thinks that the problem might be of wider interest and has kindly invited me to share it with you and get your advice over the period September 30 to October 11, 2002.

As some of you know, from 1996-1999 in my work in KM at the World Bank, I stumbled on the power of a kind of story -- springboard stories -- stories
that can communicate complex ideas and spark action. When I started
writing a book about my experiences I was advised that no one would be
interested in my story. Happily, they were wrong and the eventual book, The
Springboard: How Storytelling Ignites Action in Knowledge-Era Organizations

continues to reach readers around the world.

From 2000 to 2002, I have been coaching executives in other organizations how to craft springboard stories in many different organizational environments, and I have learnt a great deal about what works and what doesn't and what are the most common pitfalls of attempting this. I also came across six other high value forms of organizational storytelling that deal with other central management challenges:

  • how do you get people working together?
  • how do you share knowledge?
  • how do you tame the grapevine?
  • how do you communicate who you are?
  • how do you transmit values?
  • how do you lead people into the future?

My knowledge sharing problem is: how do I communicate what I have learnt? It's fine if I can sit down with someone and spend a couple of days going through these ideas. But what if I can't? How can I communicate this knowledge in writing?

The insights can be summarized in an analytic framework, but in this format, they represent a set of relationships that are not particularly easy to digest and implement:

http://www.stevedenning.com/Excerpt%20Table%20Sep%203%2002.pdf

One approach would be to expand this material into the format of a standard business book, spelling out the twelve steps to craft a springboard story, or, the six steps to tame the grapevine. The material involved here can be
seen at:

http://www.stevedenning.com/Excerpt%20Appendices%20Sep%203%2002.pdf

When I started down this track, some of the feedback I received was: isn't this also quite difficult to digest? Why don,t you communicate it through a story? Given my background, I couldn't think of a good reason not to at least try.

The difficulty I faced in following the format of The Springboard is that whereas my work in 1996-1999 was in a single organization and fairly naturally formed a coherent story of an organization going through major change, my work in 2000-2002 is a sprawling adventure covering many organizations and many different kinds of experiences. It doesn't naturally and easily form a single coherent story.

So then I was advised: why don't you write in a fable like Who Moved My Cheese? or Fish! or The Goal? These books have apparently reached large numbers of readers.

Could a fable be the answer to my problem: what's the best way to communicate the powerful new uses to which storytelling -- one of the oldest of all human tools -- is now being put in the modern economy?

Over the centuries, animal fables have reached diverse audiences with difficult and complex messages. Aesop and La Fontaine did it with a menagerie of animals, Franz Kafka with insects, George Orwell with pigs, James Agee with cows, James Quinn with a gorilla and Spencer Johnson with mice.

I decided to try my hand at a story using squirrels.

Why squirrels?

Squirrels sparked my imagination in several ways. Some years ago, I was reading that wonderful compendium known as Harpers Index and I noticed an oddball statistic. It was the percentage of nuts that squirrels actually recover and eat as against the nuts they bury. I've forgotten the exact number, but it was remarkably low. The fact, if not the number, stuck in my mind as I watched families of squirrels run about my garden and I thought of the huge numbers of nuts that they were continually losing. Accordingly, this book tells the story of the transformation of an organization called Squirrel Inc. from a nut-burying to nut-storing organization. We follow the transformation as it goes from an improbability (chapter 1), a possibility (chapter 2), a probability (chapter 3), a lost opportunity (chapter 9) through to the dénouement in the epilogue.

Washington, D.C. has the highest density of squirrels anywhere in the world. I've always done much of my writing from a room that looks out over several
gardens. From my window, I could see a large old mulberry tree and it was remarkable how many squirrels ran and played on its wide horizontal branches. From time to time, I would look up from my writing and as I saw countless pairs of squirrels gamboling and frolicking on this tree with such evident pleasure, my spirits would lift. It was obvious that the long horizontal branches of the mulberry tree made a wonderful playground for them. Then one day, I looked out the window and saw no mulberry tree! My neighbors had without warning cut down the tree! Since a mulberry tree is a messy thing in a city garden, I understood their action, but I was shocked on behalf of the squirrels. How would they feel when they found that their mulberry tree had been cut down?

A kinder gentler inspiration came from Grace Marmor Spruch's wonderful book, Squirrels At My Window: Life with a Remarkable Gang of Urban Squirrels, which meticulously records and describes the life and times of a group of real-life city squirrels whose personalities and foibles are not too removed from those of humans.

So I pressed ahead with the squirrel fable, and you can find a number of chapters at:

http://www.stevedenning.com/squirrel.htm

Editor's note: Scroll down the page to come to the text.

Among the characters that one meets in my tale are:

  • Diana, an up-and-coming executive at Squirrel Inc. who discovers
    the power of springboard stories;
  • Whyse, an advocate of storytelling that communicates who you are;
  • Mark, who uses storytelling to transmit values;
  • Hester, who uses storytelling to get people working together;
  • Mocha, who shows how humor can be used to tame the grapevine;
  • Howe, who deploys storytelling to share knowledge; and
  • Sandra, who pursues storytelling to lead into the future.

So my question is: is this the best way to communicate my knowledge?

I realize that there is a certain type of reader who reacts negatively to animal fables, particularly the kind of reader whose real-life attic is persistently invaded by successive colonies of hard-to-get-rid-of squirrels.

But what are the alternatives?

One alternative would be to transpose the story to a human context. If so what would be a context that would be of interest to readers from many different sectors and businesses?

Another alternative would be to tell the story of my work in 2000-2002, accepting the fact that it will be a sprawling story that doesn't naturally and easily form a single coherent narrative.

Another alternative would be to do a fieldbook of stories that I have encountered over this period.

Another alternative would be to go back to the standard business format, spelling out the twelve steps to craft, a springboard story or the six steps to tame the grapevine in standard analytic format.

A final alternative that is sometimes suggested to me is: all of the above.
However in this case, the question really becomes in order should they be
attempted?

So that's my problem. I have (I think) a good deal of useful knowledge. I want to share this with others. I get indications that others are interested in getting access to this knowledge. What's the best way to share this it?

I have framed the question in the context of my particular situation and knowledge. But the question also has a more general application. What's the best way to transfer knowledge when you have (a) someone with knowledge (b) the knower wants to share it and (c) there are people who are interested in getting the knowledge? So often in KM, we're focused on the problems of organizations where the people don't want to share or others are not interested in learning or the organization doesn't permit or encourage sharing, that we don't spend any time on the (apparently) simpler problem: when you don't have any of those obstacles in the way, what's the best way to share knowledge?

Steve Denning
web www.stevedenning.com

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